New Weird Australia presents the next event in its 2010 series on Friday 23rd July 2010 at the Red Rattler in Marrickville, Sydney – featuring:

ANONYMEYE (QLD)
ERASERS (WA)
AMBROSE CHAPEL (QLD)
TEXTILE AUDIO (NSW)
TR-10 (LUKASZ KARLUK & GENTLEFORCE) (NSW)

ANONYMEYE (QLD)
Anonymeye is the nom de plume of Andrew Tuttle, an experimental musician from Brisbane, Australia who reconfigures various country and folk musics within an abstract sonic framework, utilising electronic and acoustic instrumentation including acoustic guitar, signal processing, synthesisers, and effects units. Anonymeye straddles and blurs boundaries between improvisation and composition, experimentation and pop, acoustic and electronic, rural landscapes and urban landscapes. Anonymeye’s second full length album ‘The Disambiguation Of Anonymeye’ is out now on the sound&fury label.
http://www.myspace.com/anonymeye

ERASERS (WA)
Erasers are a new two-piece band from Perth, that started mid 2009 with Rebecca Orchard on vocals and Rupert Thomas on instruments. They formed with the desire to create and produce music completely on their own. With little recording experience and borrowed equipment, Erasers produced and released their debut self-titled release upon forming as a band. The result is songs made up of primitive & tribal beats, melodic guitar loops, atmospheric synth and chanting vocals; creating what has been described as dreamy yet somewhat disconcerting post-punk.
http://www.myspace.com/erasersonpencils

AMBROSE CHAPEL (QLD)
Ambrose Chapel is the solo project of Brisbane musician Ian Rogers (also of No Anchor). He is mainly influenced by The Melvins and is allergic to cats.
http://www.myspace.com/ambrosechapeldestroysyou

TEXTILE AUDIO (NSW)
Textile Audio is a solo project for operatic mezzo soprano and electronic musician Eve Klein. Eve has taught music technology at Macquarie University and is an active music writer and composer.
http://www.myspace.com/textileaudio

TR-10 (LUKASZ KARLUK & GENTLEFORCE) (NSW)
A generative audio / video interactive installation, with music from Sydney’s Gentleforce.
http://www.julapy.com/blog/2010/02/16/tr-io-dorkbot/

Tickets $10 on the door.

Facebook Event page

This event has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

New Weird Australia Volume Three, November 2009, NWA003

DOWNLOAD ZIP FILE (AUDIO & ARTWORK):
Standard Quality, 160 kbps (90MB) | Higher Quality, 320kbps (164MB)

1. JEFF BURCH, Untitled 1 (The Western Hour) (3:44),
from ‘As I Remember, If I Remember Correctly, I Arrived Sweetly’
2. AFXJIM, Through The Woods (6:08), from ‘POWWOW Eight (Blackout Music)’
3. 48/4, Hlibt (3:39), previously unreleased
4. THE SINGING SKIES, September (2:52), from ‘September Sky’
5. K MASON, Of 2 Evils (7:15), from ’2 (Evils)’
6. ALPS, Goosebeak Whale (2:21), from ‘Alps Of New South Whales’
7. DRIVE WEST TODAY, Anthropology (4:37), previously unreleased
8. ADAM TRAINER, Corrosion Party (4:22), previously unreleased
9. COMATONE, They Fall Freely (6:05), previously unreleased
10. ZEAL, Wasps (2:34), previously unreleased
11. NAMATOKE, A Mountain With A Secret (4:53), from ‘Chiaroscuro’
12. LECTER MACABRE, Granelli (New Version) (2:43), previously unreleased
13. BUM CREEK, Fast Forrest (5:13), from ‘Bum Creek’
14. ANON, Quiver Crura Quaker (13:46), previously unreleased
15. ERASERS, Lost///Found (4:26), from ‘Erasers’
16. POMPEY, Actual Locks (3:20), previously unreleased

Compiled by Stuart Buchanan & Danny Jumpertz
Artwork by Lee Tran Lam, www.leetranlam.com

Click artist title for background information and links.
All music donated by the artists for use in this compilation only, all rights reserved.

Sleeve Notes, November 2009:

The old adage still holds true – one man’s meat is indeed another man’s poison. Divert the same philosophy to music and the song remains the same. One woman’s rock is another woman’s roll – or thereabouts.

We make this point to simply note that our definition of ‘weird’ is purely subjective – and we make no claim otherwise. The artists that represent Volume Three of New Weird Australia truly stretch, invert and redefine the notion of ‘weird’. To some, this selection might well be perilously unlistenable, to others we’re toying dangerously with pop at various flash-points throughout the compilation. And therein lies the point.

Our mission is not to meticulously scope and define what is to be ‘weird’ (#FAIL). Our mission rather is to map out a loose terrain – one that skirts around the topological spread mapped by mainstream alternative media, and one that sits both simultaneously in and out of reach. New Weird Australia is designed as a bridge to reach fresh pastures – at some points that journey might feel familiar, at others it might be terrifyingly new.

Given that we’re now on our third volume, we understand that in order to go deep, we also have to go wide – which means fucking with the boundaries at both ends of the spectrum. From Zeal‘s quasi-Anticon hip-pop to Anon‘s 14-min noise excursion, Volume Three does indeed traverse considerable distances – along the way winding via Lecter Macabre‘s pitch-black slow-mo roar to Pompey‘s steel-drum romp that winds the set towards a final, optimistic flourish.  We could obviously go much wider and much deeper yet – there lies new worlds to conquer in future volumes.

For now, for this month, this is our definition of New Weird Australia. Some you’ll adore, some you’ll abhor – and with that very disagreement, we’ll all find common ground.

New Weird Australia is a not-for-profit initiative established to promote eclectic and experimental Australian music. Free compilations are available to download every two months from www.newweirdaustralia.com. Contributions from Australian musicians and designers are welcomed and encouraged – submission details and terms can be found on the About page.